Foreign Countries #10: Drama Playhouse: The Incredible Robert Baldick: Never Come Night (1972)

Question: what do Steptoe and Son (1962-74), Porridge (1974-77) and The Onedin Line (1971-80) all have in common? If you answered "they all featured work from Production Designer David Chandler" then congratulations on being Andrew Pixley. If however you answered "they all started life as a one-off in an anthology series" then you might have … Continue reading Foreign Countries #10: Drama Playhouse: The Incredible Robert Baldick: Never Come Night (1972)

Foreign Countries #9: Hardwicke House (1987)

It's my first guest post, from my frequent collaborator and occasional mentor Howard Ingham, who runs the excellent Room 207 Press blog, although despite my best efforts he still refuses to call it Howard's Way. His loss. Below, Howard's looking at ITV car crash and non-thinking-person's-Please Sir, Hardwicke House, which hopefully you won't remember. Howard … Continue reading Foreign Countries #9: Hardwicke House (1987)

The Man from Another Place #2: Duel (1971)

Another post where I highlight writing I've done for other blogs. Once again it's a piece for Howard Ingham's Room 207 blog. Howard's crowdfunding to get his essays on Folk Horror published. I hope you consider supporting We Don't Go Back: a Watcher's Guide to Folk Horror. Full disclosure: hopefully I'll have a couple of … Continue reading The Man from Another Place #2: Duel (1971)

The Value of Myth #3: Play of the Week: South (1959), On Trial: Oscar Wilde (1960)

As it's the Pride in London Parade this Saturday, my latest Value of Myth post examines gay-themed TV drama in the years before the Sexual Offences Act 1967, which decriminalised private homosexual acts between consenting men over the age of 21, in England and Wales anyway. Homosexuality in Scotland wasn't decriminalised until 1980. In Northern … Continue reading The Value of Myth #3: Play of the Week: South (1959), On Trial: Oscar Wilde (1960)

Foreign Countries #8: ITV Sunday Night Theatre: A.D.A.M. (1973)

As previously discussed, the 70s saw the white heat of technological optimism replaced by something rather darker as the world grew into a less secure place and people's respect for authority deteriorated. While a number of films around this time took in the sweeping, epic scale of an imagined dystopia, television had its own, occasionally … Continue reading Foreign Countries #8: ITV Sunday Night Theatre: A.D.A.M. (1973)

Foreign Countries #7: The Corridor People (1966)

"Talent borrows, genius steals" said Oscar Wilde ("and Doctor Who writers get it wholesale off the back of a lorry, no questions asked" added Doctor Who writer Ben Aaronovitch, but I digress). Great TV and film make their mark, they change the landscape that future productions operate in. Most obviously nothing was the same for … Continue reading Foreign Countries #7: The Corridor People (1966)

The Value of Myth #2: Fall of Eagles: Absolute Beginners (1974), Screen Two: Hope in the Year Two (1994)

This is another in a series of posts where I look at a common theme over more than one TV play. I was working on one that looked at how past TV dealt with children in peril but in light of the events in Manchester, I've decided to shelve that for a little while. Here, … Continue reading The Value of Myth #2: Fall of Eagles: Absolute Beginners (1974), Screen Two: Hope in the Year Two (1994)